![]() ![]() ![]() Miro has deep integrations with leading collaboration tools including Slack, Microsoft Teams, Zoom, Jira and Notion, enabling its customers with remote teams to work as productively as if they were face to face. Miro’s online whiteboard enables distributed teams to work more effectively, from running brainstorming sessions and workshops to planning projects, designing new products and services and facilitating agile ceremonies. Miro customers include Dell, Cisco, Salesforce, PwC, and EA, with multiple enterprises deploying Miro for thousands of internal users. Miro, which is profitable and growing, has over 5 million users and 20,000 paying customers, including 80% of the Fortune 100. Several new individual investors including Olivier Pomel, CEO and Founder of Datadog Bob Muglia, former CEO of Snowflake Bradley Horowitz, VP Product at Google and Irene Au, Design Partner at Khosla Ventures and former Google Global Head of User Experience, as well as existing venture investor Accel, also participated in the round. The ceramic Lézard climbs up the patio walls while gargoyles above the ponds spew water into the depths Miró decorated.SAN FRANCISCO-( BUSINESS WIRE)- Miro, an online whiteboard platform for team collaboration, has secured $50 million in Series B financing, led by ICONIQ Capital, a privately-held investment firm with investments in industry leaders such as Gitlab, Intercom, Datadog, Snowflake and Adyen. La Fourche, the symbol of a peasant’s raised fist during the Spanish Civil War, is made from iron and bronze. L’Oiseau lunaire and L’Oiseau solaire are made of Carrara marble. Here, the genius from Catalonia explored difference materials: the Grand Arche is made of concrete, using a pneumatic drill. The artist painted a white line along the walls to guide the visitor through the sculpture garden. In 1964, at the opening of the Maeght Foundation, the public discovered stone walls weaving amongst the ceramics and sculptures. The artist thus created a sculpture garden especially for the Maeght Foundation, consisting of enormous sculptures and ceramic works, a labyrinth inhabited by creations of the artist’s dream world, reminding us that he was far more than a painter. For the first time, Miró’s sculpture was deliberately put together with architecture and nature, ever his source of inspiration. In the 1960’s, Joan Miró was given the opportunity to create a gigantic sculpture in the gardens of the Marguerite and Aimé Maeght Foundation. In 1979, an exhibition directed by Miró enabled him at last to present his works and research in the way he wished. ![]() Paul, Miró made an exceptional donation of his works, including sculptures, maquettes, ceramics, and paintings both on canvas and on paper. In 1948, after the war, Miró went to Paris and Maeght looked after him while he was working on a series of lithographs.Īs a token of his esteem, affection, and gratitude to the Maeght family and the Foundation at St. Joan Miró and Aimé Maeght met when Miró joined Braque in Varengeville. This exhibit offers a unique opportunity to meet Miró in His Garden and to discover the secret behind his creations. The space was formerly a holiday home, a haven for him to meet people and to think-and above all, his open air studio. Miró, the revered giant of 20th century art, was close friends with the Maeght family, and was deeply involved in the creation of the Maeght Foundation. The exhibit - which includes 250 works by Joan Miró, ranging from major paintings and sculptures to several never-seen-by-the-public pieces - occupies the entire museum and gardens, illustrating the profound relationship between the Maeght family and this artist. SAINT-PAUL, FRANCE - Through November 8, 2009, Miró en Son Jardin (Miró in His Garden) will be on display at the Maeght Foundation in Saint-Paul-de-Vence. ![]()
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